The palette is pure early-90s Céline — Eiffel Towers in teal, violet and cobalt against a cream ground, framed by a border of cabochon jewels and a saturated fuchsia field edged in black. Playful and opulent at once, the kind of print the house made when it was still family-owned and unafraid of colour.
The Arc de Triomphe is more than a landmark here — it’s the origin of the brand. Céline Vipiana’s chain-link logo was inspired by the chains that ring the monument, so every link on this scarf is a quiet nod to the house’s beginning.
Petit carré format, 26” × 26” (66 cm) — the small square, sized to be worn rather than displayed.
Hand-rolled hem.
Made in France. Circa 1991–1993.
Tie it at the neck to pull out the pink, or let it hang loose over black — it does the work of a necklace and a color story at once. A wearable piece of Paris, worth keeping forever.
The palette is pure early-90s Céline — Eiffel Towers in teal, violet and cobalt against a cream ground, framed by a border of cabochon jewels and a saturated fuchsia field edged in black. Playful and opulent at once, the kind of print the house made when it was still family-owned and unafraid of colour.
The Arc de Triomphe is more than a landmark here — it’s the origin of the brand. Céline Vipiana’s chain-link logo was inspired by the chains that ring the monument, so every link on this scarf is a quiet nod to the house’s beginning.
Petit carré format, 26” × 26” (66 cm) — the small square, sized to be worn rather than displayed.
Hand-rolled hem.
Made in France. Circa 1991–1993.
Tie it at the neck to pull out the pink, or let it hang loose over black — it does the work of a necklace and a color story at once. A wearable piece of Paris, worth keeping forever.
